Sunday, 19 July 2015

Should research animals get names?

You may have heard of Koko the gorilla or Alex the parrot, but what about Pia, Splinter, Oprah, and Persimmon the rats? Or Nixon the octopus? Or breeder pairs of mice named Tom and Katie or Brad and Angelina? It's not only the animals with good communication skills and long-term relationships with human researchers that get names. As Michael Erard explains in Science, "for many researchers naming is a practice whose time has come."

It hasn't always been that way. In the past, naming was frowned upon because it had the potential to introduce bias. A name might make a researcher ascribe personality traits to an animal on the basis of connotations carried by the name. It also introduced a personal connection to the animal that researchers strove to avoid. In a 1980s study of lab practices, researchers said that "they didn't name because they dealt with so many animals and were interested in them as sources of enzymes or data points, not as individuals."

But it turns out that naming can lead to better science. One lab that used names for monkeys was led to start looking at individual differences between them which "led to the discovery of the genetics and epigenetics of personality in monkeys." On a more general level,

Naming improves animals' lives, argues Brenda McCowan, a scientist at the California National Primate Research Center at the University of California, Davis, who manages the behavioral enrichment program for 5000 rhesus and titi monkeys. "Naming helps create positive human-animal interaction, which is better for the welfare of those animals," she says. Buckmaster adds that naming has become more accepted because "people realized the scientific value of the stress-free animal. … We have to make sure these are really happy animals, or none of the information that we get from them will be valid."

Read more about the history of research animal naming and its effect on science at Science Magazine.

 » see original post

The Sandy Beach Architecture of Calvin Seibert


Artist Calvin Seibert (previously) recently completed a new series of his geometrically precise sand castles on the beaches of Hawaii. A professional sculptor, Seibert seems to borrow angular ideas from Bauhaus architecture or the flair of Frank Gehry. How he’s able to control the sand so perfectly is anyone’s guess, it certainly puts my traditional upside down bucket method to shame. You can see more of his work over the last few years here.








 » see original post

Gotta love the post title ;)

Gotta love the post title ;)

 » see original post

No Reverb Added: An Acoustical Experiment of a Song Recorded in 15 Different Locations

Oh wow, this is a treat. The same people behind this experimental drumming video in 2013, Touché Videoproduktion Creative, just released a similar music video featuring a song written and performed by Joachim Müllner. The piece was recorded in 15 different locations and then stitched together only with video editing. All the sounds you hear were recorded on location. Stick with it even after the 1:00 mark, it gets more and more amazing. (via Vimeo Staff Picks)

 » see original post